"Aleksandar Markovic is a conducting Supertalent"
- Kronen-Zeitung, 1 October 2008

“Aleksandar Markovic impressed with sovereign, individual interpretation. ”

Weser Kurier, 21.5.2014

Bio

Aleksandar Markovic is Music Director and Chief Conductor of Brno Philharmonic Orchestra,

Full biography >

having taken this position immediately after his debut with the orchestra in autumn 2008. Together they performed i.a. in Konzerthaus Vienna, Grosses Festspielhaus Salzburg, Palace of Arts Budapest, Stefaniensaal Graz, Brucknerhaus Linz, Queen Elisabeth Hall Antwerpen, Reduta Hall in Bratislava, at festivals Dvorak's Prague and European Weeks in Passau, and throughout Japan. At the beginning of 200. Anniversary season of Musikverein Graz in September 2014, he will lead his orchestra in pure Wagner-programme.

In spring 2015 he will conduct Brno Philharmonic in Maribor and Villach. During 2014/15 season, he will make debut with Leeds Opera North, Lübeck Philharmonic and Mannheim Chamber Orchestra, and follow re-invitation of Beethoven Orchestra Bonn and Bournemouth Symphony Orchestra.

In 2013/ 14 season Aleksandar Markovic continued his close collaboration with symphony orchestras of Croatian Radio and Czech Radio Prague, Qatar Philharmonic, State Orchestra Braunschweig, Slovenian Philharmonic and Janacek Philharmonic Ostrava. He made a successful debut with Györ Philharmonic and Bremen Philharmonic.

Aleksandar Markovic opened Wagner- Year 2013 with new production of Flying Dutchman at Slovenian National Theatre Ljubljana, followed by concert- performance of Rienzi in Philharmonie am Gesteig in Munich. During past seasons he conducted Symphony Orchestra of Spanish Radio Madrid, Vienna Symphony Orchestra, Dresden Philharmonic, Stuttgart Philharmonic, Staatskapelle Halle, Kremerata Baltica, Prague Symphony Orchestra, Slovak Philharmonic, Konzerthausorchester Berlin, DSO Berlin, Mozarteum Orchestra Salzburg and Scottish Chamber Orchestra.

At the age of 29, Aleksandar Markovic was appointed Chief Conductor of Tyrolean Opera House Innsbruck (Tiroler Landestheater), position he held from 2005 till 2008. He brought out highly acclaimed productions of Salome, Der fliegende Holländer, Madama Butterfly, Tosca, Cavaleria Rusticana/ I Pagliacci, Le nozze di Figaro, Romeo et Juliette, Traviata, Nabucco, Norma, and Swan Lake, and many innovative symphonic programmes. He worked with I.a. Vienna Chamber Orchestra and Concertverein, Budapest Concert Orchestra, Lithuanian National Symphony Orchestra, Symphony Orchestra of St. Gallen, Franz Liszt Chamber Orchestra, Nürnberg Philharmonic, Belgrade Philharmonic, State Philharmonic Rheinland-Pfalz, Rhone Philharmonic Koblenz, Württemberg Philharmonic and Zagreb Philharmonic. He lead new production of La forza del destino at National Theatre Belgrade, and conducted at National Theatre Prague and Landestheater Salzburg.

Regular guest of international music festivals, Aleksandar Markovic opened Wiener Festwochen 2008 and gave concerts at Mecklenburg- Vorpommern Music Festival, Bratislava Music Festival, Belgrade Music Festival, Murten Music Festival and Kissinger Sommer Festival. He conducted at Janacek May festival in Ostrava, Festival of Nations in Bad Wörishofen, and was awarded the prize “Judita” for the best music performance at Split Summer Festival 2013.

During his tenure in Brno , Aleksandar Markovic developed special affinity for music of Janacek and Martinu. In concert halls of Madrid, Prague, Bremen and Doha he ardently promoted Scriabin. In addition to extensive symphonic and operatic repertoire, he regularly interprets 20th century avant- garde and music of contemporary composers, such as Hartmann, Schiske, Istvan, Rozsa, Ligeti, Lutoslawski, Glass, D’Ase , Pintscher, Larcher, Tüür, Yusupov and Salonen.

Aleksandar Markovic is First Prize Winner of the 7th International Conducting Competition “Gregorz Fitelberg” in Katowice, Poland. He graduated from conducting class of Leopold Hager at the University of Music and Performing Arts in Vienna, Austria (Universität für Musik und darstellende Kunst Wien), and attended master classes at Accademia Musicale Chigiana in Siena, where he has been awarded Diploma d’onore. He held a scholarship of prestigious Herbert von Karajan Foundation Berlin.

Calendar

<September 2014>
SunMonTueWedThuFriSat
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
×

Stefaniensaal, Musikverein / Graz, Austria

Wagner: Symphony in C- major
Wagner: Die Walküre, 1. act

Brno Philharmonic Orchestra
Torsten Kerl, Siegmund
Elena Batoukova- Kerl, Sieglinde
Steven Humes, Hunding

23
×

Stefaniensaal, Musikverein / Graz, Austria

Wagner: Symphony in C- major
Wagner: Die Walküre, 1. act

Brno Philharmonic Orchestra
Torsten Kerl, Siegmund
Elena Batoukova- Kerl, Sieglinde
Steven Humes, Hunding

24
25
26
27
28
29
30
  • 28/05/2015
    Janacek Theatre / Brno

    Mahler: Symphony N° 5

    Brno Philharmonic Orchestra

  • 10/05/2015
    Stefaniensaal, Musikverein / Graz

    Ligeti: Lontano
    Debussy: La mer
    Ligeti: Concert romanesc
    Scriabin: Poeme de l'extase

    Graz Music University Symphony Orchestra

  • 09/05/2015
    Oberschützen, Autria

Full schedule >

Reviews

“Aleksandar Markovic is only 33 years old, which means for a conductor still quite young, but radiates, smiling widely from the podium, such confidence and persuasive power, founded not only on his abilities, but also on already rich experience. (...) The program, with which Markovic on friday evening guest-conducted the Konzerthaus Orchestra offered plenty of opportunity for everyone to make a clear picture of versatility of the young conductor, who achieves a relaxed Haydn-attitude without being boring, on the other side temperamentally letting the sparks fly in an early Ligeti-work. Berlioz' Symphonie fantastique sounded full of fascinating details, never losing an impressive, clear vision of the whole.”

Berliner Zeitung, 24 April 2009

Berlioz: Symphonie fantastique, Bremen Philharmonic Orchestra

“Aleksandar Markovic impressed with sovereign, individual interpretation. The colorful sound- painting was marked by precision, finely balanced details and constant flowing of music, compelling through interesting tempos and balance between different orchestra groups, rich in contrast.”

Weser Kurier, 21.5.2014

Stravinsky, Brno Philharmonic Orchestra

"Stravinsky's ballet "The Rite of Spring" demands a great deal of intensive orchestral playing, biting sharpness, rhythmical conciseness and sound- orgies, all of this topped by an excessive amount of virtuosity. Aleksandar Markovic offered an impressive, sovereign and profiled interpretation rich with contrasts, subtle expressions and heart- felt lyricism."

Oberösterreichische Nachrichten, 13.1.2011

"..Igor Stravinsky's ballet "The Rite of Spring", with it's unprecedented rhythmical elemental force and dynamical outbursts, represents a measure of capability for every young conductor. Markovic's suggestive conducting skills drove the Brno Philharmonic Orchestra to deliver an aroused, incredibly precise interpretation, which turned the performance into an event."

Neues Volksblatt, 13.1.2011

Mahler, Brno Philharmonic Orchestra

(…) “Aleksandar Markovic once again proved to be a conductor who can retain a sovereign overview of monumental works and execute them with great confidence. Two years previous, he had celebrated his debut at the Grazer Musikverein with Anton Bruckner’s Symphony No. 8, and now he was initiating its programmatic focus on Gustav Mahler’s 150th anniversary with the latter’s Third Symphony. Leading the Brno Philharmonic, who appointed him their principal conductor last year, he delivered the six movements of this sonorous spectacle in a grand dramaturgy. Orchestra achieved Mahler’s extolled “polyphony of life” with remarkable precision. “

Kleine Zeitung, 20.1.2010

Ligeti, Haydn, Berlioz – Konzerthausorchester Berlin

“Aleksandar Markovic is only 33 years old, which means for a conductor still quite young, but radiates, smiling widely from the podium, such confidence and persuasive power, founded not only on his abilities, but also on already rich experience. (...) The program, with which Markovic on friday evening guest-conducted the Konzerthaus Orchestra offered plenty of opportunity for everyone to make a clear picture of versatility of the young conductor, who achieves a relaxed Haydn-attitude without being boring, on the other side temperamentally letting the sparks fly in an early Ligeti-work. Berlioz' Symphonie fantastique sounded full of fascinating details, never losing an impressive, clear vision of the whole.”

Berliner Zeitung, 24 April 2009

“A true wonder of a concert, and based on a truly wonderful program, resplendently conveyed by Aleksandar Markovic and the brilliant Konzerthausorchester. […] The first piece, Ligeti’s Cocert Romanesc, was already greeted with jubilant cheers. […] Yet Haydn too has suddenly become popular with the young generation. His resilient elegance, his power of sustenance turned into music […] found their agile interpreter in Markovic. As a clincher, he summoned the five – still stunning – episodes of Berlioz’s delightfully narrative Fantastic Symphony.”

Berliner Morgenpost, 28 April 2009

Brahms, Mozart, Franck, Haydn, Stuttgart Philharmonic Orchestra

“Markovic’s fervent interpretational temperament saw him stride through Haydn’s symphony (N°103) with earnestness and expressive purpose, capturing the broad spectrum between rusticity and sublimity. His approach to Brahms' Haydn- Variations was rich in significance.”

Fränkische Landeszeitung, 17 March 2009

“Markovic accentuates strong contrasts, and shapes the individual movements as cohesive characters, which results in many moments of beauty, particularly with Brahms’s Variations. He also exorcises Haydn’s Symphony of any trace of antiquated complacency.”

Stuttgarter Zeitung, 18 March 2009

Bruckner, Slovak Philharmonic Orchestra

“Aleksandar Markovic is a conducting Supertalent, and by temperament more a podium star than a kapellmeister. With great confidence and determination, he led the outstanding musicians of the Slovak Philharmonic through Anton Bruckner’s Eighth. Markovic’s effect-conscious, gutsy approach interprets Bruckner not as solemn, quasi-religious confessional music, but as a pace-laden, orchestral showpiece.”

Kronen-Zeitung, 1 October 2008

“Aleksandar Markovic (33), who opened the orchestral concert cycle of the Steirischer Musikverein at the helm of the Slovak Philharmonic with Anton Bruckner’s Eighth Symphony, does not view this monumental opus as a “profound mystery”. His approach to Bruckner’s last finished symphony is soberly objective and strictly eschews any trace of nebulosity. Instead, he storms through the unwieldy score in its final 1890 version with youthful élan.”

Kleine Zeitung, 1 October 2008

Haydn, Mozart, Beethoven, Scottish Chamber Orchestra

“Markovic's debut with the SCO on its central Scotland tour was quietly impressive. Directing a programme of Haydn, Mozart and Beethoven, the orchestra's bread-and- butter repertoire, Markovic displayed great confidence and the right amount of exuberance to make for vital, engaging performances of Haydn's Symphony No 96 and Beethoven's Eighth, while eschewing unnecessary theatrics. (...) It is rare to hear such clarity in the finale of Beethoven's Eighth as was achieved here, Markovic taking the movement a shade slower than usual in a way that allowed the detail of the intricate string writing to come through without sacrificing any of the energy.”

The Guardian, 8.9.2008

Full reviews >

Contact

IAAC
Kulturmanagement

Erich Arthold

office: +431 123 456 789
mobile: +431 123 456 789
email: erich.arthold@iaac.com
adresse: Gluckgasse1, Vienna, Austria
Facebook